Progressin’: My Experience Working for the Jane Addams Papers Project

A woman in a Victorian-era dress with puffed sleeves sits on an ornate wooden chair carved with dragons, looking to her left with a composed expression. The photo is in black and white.

by Paige Drews, Susquehanna University

What is the one word every college student is guaranteed to hear during their summer break? Internship.  Everyone wants to know the details: what does your day look like? Do you like your boss? Did you get anyone their coffee or copy papers? No two experiences are the same, but if they’re lucky, that student learns new skills and tools, gains valuable insight from colleagues and even has a little fun.  Through my internship with the Jane Addams Papers project at Ramapo College, I can proudly say that I was fortunate enough to accomplish all of these things and more. Here is a first-hand look inside my internship at Ramapo. Continue reading “Progressin’: My Experience Working for the Jane Addams Papers Project”

Teaching with Jane Addams

A group of young boys with dirty faces and worn clothing stand close together, looking at the camera. They appear to be child laborers from an earlier era, possibly the early 20th century.

By Renee DeLora

Over the last year, the Jane Addams Papers Project has been working on expanding audience participation by creating National History Day guides and lesson plans. This effort was funded by a grant from the New Jersey Council for the Humanities. I worked with Christina Dwyer and Mike Romano, Ramapo College teacher education students who work at the Jane Addams Papers. We were eager to apply what we learned in our courses and at the project for use in our classrooms. Continue reading “Teaching with Jane Addams”

Give Peace a Chance: Some Ideas Sent to Jane Addams

A group of women, some holding flowers, stand on a ship’s deck holding a large banner that reads “PEACE.” The photo is labeled Peace Delegates on Noordam and features handwritten names and notes.
A group of women on a ship’s deck hold a large banner that reads PEACE. Some are labeled, and all are dressed in early 20th-century clothing, wearing hats and flowers, smiling for the photo.
Jane Addams and other members of the American delegation on the S.S. Noordam, sailing through embattled waters to attend the International Congress of Women in April 1915. (Library of Congress http://www.loc.gov/pictures/item/2014698779/)

If you were given three wishes, what would they be? One of the most common answers is world peace. It’s only natural that people want peace, especially with the barrage of headlines screaming about war and conflict. Continue reading “Give Peace a Chance: Some Ideas Sent to Jane Addams”

“Trolls” Have Been Around For Years

A sepia-toned portrait of an older woman with light-colored hair pulled back, wearing a high-collared blouse and a dark vest, looking slightly to the side with a calm, serious expression.
Jane Addams, ca. 1915 (Swarthmore Peace Collection).

People blame the Internet for what seems like the spread of anger, meanness and bad manners. While the internet makes it easier to reach more people with much more speed, the things that people share is not so terribly different. Internet trolls, hecklers, and flame warriors seem to be modern phenomena, but it is the method, not the content that is modern. Continue reading ““Trolls” Have Been Around For Years”

Jane Addams, Ida B. Wells, and Racial Injustice in America

A black-and-white portrait of a woman with short, graying hair, wearing a pearl necklace and a dark garment, looking slightly to the side with a calm expression.

A black-and-white portrait of a woman with short, graying hair, wearing a pearl necklace and a dark garment, looking slightly to the side with a calm expression.

Jane Addams made the acquaintance of renown African-American journalist and civil rights activist Ida B. Wells sometime in the 1890s, but in the summer of 1899 these two extraordinary women joined forces. In Chicago, each was engaged in different but overlapping endeavors to make the world a better place, but thinking about the two of them working together reinforces my fascination with the past. Continue reading “Jane Addams, Ida B. Wells, and Racial Injustice in America”

Guest Post by Taylor Mills on The New Women of Chicago’s World’s Fairs (1893-1934)

A black-and-white photo of a large domed building by a reflective pool, with a statue holding a staff and a figure raised in one hand in the foreground, at the World’s Columbian Exposition in Chicago, 1893.

I was fortunate enough to get in contact with Taylor Mills, current curator at the Chisholm Trail Museum and recent graduate of the University of Central Oklahoma, who wrote her MA thesis on the women of the Chicago’s World’s Fairs from 1893-1934. She spoke of her interest in the topic, what her research focuses on, and her thesis process. Continue reading “Guest Post by Taylor Mills on The New Women of Chicago’s World’s Fairs (1893-1934)”

The Tragic Case of Baby Bollinger

Black and white newspaper clipping with headline: Hes Going to Let Her Baby Die; This Woman Says Its for Best. Features portraits of Dr. H.F. Haiselden and Mrs. Anna Bollinger facing each other.

A woman lies in a hospital bed while a man in a suit sits beside her, holding her hand. The caption identifies them as key figures in a controversial case involving the death of an infant in Chicago.
Photo of Anna Bollinger and Henry Haiselden, Chicago Tribune, March 31, 1917.

A little over 100 years ago, the case of an infant allowed to die in a Chicago hospital captured the nation’s attention. Born on November 12, 1915, “Baby Bollinger” died five days later on November 17, after physician Harry Haiselden refused to operate to save his life. Haiselden made his decision because the child was born with deformities and he believed the the boy was was mentally and morally defective. He convinced the child’s mother, who said “the doctor told me it would be, perhaps, an imbecile, a criminal. Left to itself it has no chance to live. I consented to let nature take its course.” (Boston Globe, Nov. 17, 1915, p. 1.)  Haiselden’s controversial decision led to a heated debate in newspapers across the country. Continue reading “The Tragic Case of Baby Bollinger”

Addams’ Living Legacy in Color

Four hands of different skin tones and nail colors grasp each others wrists, forming a connected square shape. The background is plain and light-colored, emphasizing unity and diversity.
Giusti’s “Civilization,” made of india ink and gouache on paper, is owned by the Smithsonian American Art Museum.

The inspirational legacy and work Jane Addams left behind is no secret; from Hull House to social reform to woman’s suffrage, Addams’ was a revolutionary thinker for her time and a true inspiration for so many people, including artist George Giusti (1908-1990) who was inspired to take Addams’ vision of equality and bring it to life in one of his best regarded pieces of art.

Jane Addams was an advocate for social justice including inclusivity regardless of skin color. Addams’ wanted to give every person and equal opportunity shown through her lifelong effort to fight for social reform and offer all an equal opportunity for a better life in Hull House. After her passing, her work was still unfinished but she gave hope and opened the door for true equality for all.

Flash forward 20 years after Addams’ death, Italian-born artist, George Giusti, created his Civilization is a method of living, an attitude of equal respect for all men.”–Jane Addams, Speech, Honolulu, 1933. From the series Great Ideas of Western Man in 1955. Giusti wanted to avoid classical art and focus on a more modern and relevant effect, which shows through many of his pieces. Giusti’s works did not relate to the time period he created them in, giving them a futuristic effect that modern society still relates to.

So why did Giusti pick  Addams’ quote for the title? Well, Addams was a known advocate for equality regardless of race. The drawing that Giusti created illustrates a sense of  community, unity and equality, all goals to which Addams had dedicated her life. Her goals were not realized in her lifetime and by the 1950s were still plaguing American society. Racial tension in American society divided the nation, and Giusti was inspired to visualize Addams’ quote as a call for equality.

Despite years of advocating and pushing for change, social reform is still an issue in today’s society. Giusti’s drawing received numerous awards and recognition, while Addams’ work has lead her to be one of the most historical and influential figures of the 20th century. Her unfinished business still inspires thousands to this day, with no sign of slowing down.


Civilization is a method of living, an attitude of equal respect for all men.”–Jane Addams, Speech, Honolulu, 1933. From the series Great Ideas of Western Man. (Smithsonian American Art Museum.)

George Giusti,” ADC Hall of Fame, 1979.