I am very pleased to announce that the Jane Addams Digital Edition has shared content from our site with the Schlesinger Library’s Long 19th Amendment Project, an amazing digital portal that revolves around archival discovery, teaching innovation and collaborative scholarship on the history of gender and women’s rights.
This project, supported by the Schlesinger Library and the Andrew W. Mellon Foundation, seeks to build collaboration by including digitized materials from well-known archives like the Papers of Susan B. Anthony and the Papers of Alice Paul at Schlesinger Library, but also includes materials from more than 40 contributing repositories.
When we were approached by the Long 19th Amendment team, we were excited to participate for two reasons. Jane Addams isn’t known primarily for her work for woman suffrage. She is often mentioned in lists, or gets a small part in the larger history, but in her day, Addams was a leading suffragist. She was a vice president of the National Woman Suffrage Association and used her considerable fame to promote the movement. She gave frequent speeches on woman suffrage, especially on its impact for working women, spoke on college campuses, and testified before Congress in 1912 to make her argument.
The other reason that we were eager to participate, is that the Long 19th Amendment Portal offered the opportunity to fulfill one of our long-term project aims regarding data and data sharing. We want to be able to export our Dublin Core-based data from our Omeka content management system so that it can be repurposed and shared with other scholars. This project demonstrated that with just a little effort on our part, we could share more than 500 documents.
Looking at the Jane Addams Digital Edition in terms of woman suffrage, we had several options.
To share documents that have been tagged with Woman Suffrage
To share biographies of people tagged with Woman Suffrage
Working with the Portal team, we decided to share documents written between 1901-1920 in the first contribution.As we proofread more texts, we will update the data shared to include additional years. Our biographical collection will be included as a linked collection that researchers can locate and consult directly.
This is just the first in what we hope will be other collaborations with scholars working on related collections. If you are interested in accessing data from the digital edition, please do not hesitate to get in touch!
The peace movement dominates Jane Addams’s work from 1914 until her death in 1935. Working through the Woman’s Peace Party, the International Committee of Women for Permanent Peace, and the Women’s International League for Peace and Freedom, Addams worked with her counterparts in many nations in a global movement to bring about peace, social justice, and equality. She also served as the de facto leader of the American women’s peace movement.
Our detailed focus on the content of the documents and our efforts to identify the people mentioned in them yields a different kind of history than one that only focuses on the leaders of movements. As we have begun publishing WILPF documents from both the United States and abroad, we are finding the names of early adherents, donors, and activists and adding them to the project’s database.
We know about Emily Greene Balch, Crystal Eastman, and Lucy Biddle Lewis, who were Addams’s coworkers for peace in the United States. But what about the rank and file? The women whose dollar donations funded the work of the WILPF? It turns out that within Jane Addams’s correspondence, we can learn about them too.
Eleanor Daggett Karsten, the secretary of the Woman’s Peace Party and then the United States Section of the WILPF, updated Addams every few weeks in 1920 with information about the women joining the new league, founded in 1919 at the International Congress of Women. As a document to add to our edition, I have to admit that each time I saw one of these multi-page columnar lists, I sighed, knowing that this one document might take a week or more to completely enter into our system due to the number of names. Thankfully, most of these lists contained street addresses, which made it easier (though not always easy!) to identify the women.
It didn’t take long to realize that instead of drudgery, adding the names of the early members of the WILPF was historical excavation of the best kind. Our biographical work is carried out in two steps. First the student or editor who enters the document into our system tries to link the name on the document to an existing name in our database. We use an Omeka-based system and a plug-in called Item Relations, to search the more than 12,0000 names in the system. When the person is not there, we add them. In this stage, the goal is to simply identify the person so that we are sure they are not duplicated and that we have verified their basic information.
We strive to add birth and death dates, full names, and a short biography, which we don’t publish until the second stage, when a student researcher does more in-depth work and drafts a full biography. Our goal is to then create relationships between the people in the edition and the organizations and events they participated in. This social network of Addams’s world being built slowly document by document, is one of the results of the project that we are most excited about. It will take time to build the data up, but it is time well spent.
For women, that means that “Mrs. Jerome H. Frank on 168 Hamptondale Road in Hubbard Woods, Illinois,” becomes “Florence Kiper Frank (1887?-?)” A draft biography, that isn’t publicly available yet notes that she was a member of the United States Section of the WILPF and was married to lawyer Jerome H. Franks and had a daughter named Barbara. Much of this comes from census records (having a street address on these lists is an enormous help), local newspapers, and other web-based resources to get accurate information. We create a bibliography pointing to the sources used so that others can follow our trail.
It is extremely exciting to find a photograph of the women, often in the U.S. Passport Applications that we access via Ancestry.com. Though the images are not of the best quality, hopefully we can add scanned originals at some point in the future. We have also found that having even these short biographical stubs accessible on the web means that family members can find the project and see the associations that their ancestors had with Addams and peace. We have already received some photographs and biographical information from family members and hope that this will increase as we add more names.
Some of the more challenging research revolves around women who worked for peace outside the United States. There are many complicating factors—misspelled or partial names, the lack of genealogical resources for most non-English speaking countries, lack of language skills among our staff to read and search foreign-language resources (Google Translate only helps so much!), and often a lack of detailed geographical information about where they lived. Many of these peace activists are hard to trace through World War II, as records of pacifists and peace organizations often did not survive the war.
But adding them, even with partial names and limited dates, accomplishes something. As we enter more documents and move into the 1920s and 1930s, we uncover the names of those who participated in the Women’s International League for Peace and Freedom, and in time we will learn more about their lives as well.
I recently took a course on Gephi, an open-source network visualization tool offered by the Programming 4 Humanists group at Texas A&M University. This three-session Zoom-based course, taught by Katayoun Torabi was a great entry to a digital humanities topic that I have long been interested in.
One of our long-range goals at the Jane Addams Papers Project is to make the underlying data in the digital edition accessible so that digital humanists can use it for research. Having a chance to play around with network visualizations helped me to think through how we might use this tool to understand Jane Addams’s life and her causes in new and interesting ways. It also helped me better understand what we need to do to make data from our edition available.
a visualization of how people in the Addams’ digital edition were connected via organizations, looking at for example, the interactions between women involved in the suffrage movement and the peace movement.
In this post we will look at correspondence networks.
Thinking About Data
The examples that Katayoun used in our class were all drawn from literature. We mostly worked with data from Shakespeare’s Hamlet, looking at instances of speech between characters to create visualizations of how the characters related to one another.
What struck me almost immediately was that the difference between this kind of analysis and what I hoped to do, was that with a literary work (or any single historical record), this analysis can provide an accurate representation of that text. As I thought about how we could this tool to understand the Jane Addams Papers, the problem of incomplete data reared its ugly head.
We have to understand that any visualization of the Jane Addams papers cannot fully be a visualization of Jane Addams’ life. Addams’s papers are incomplete. We are missing many of Addams’ most intimate letters between family members and her long-time companion, Mary Rozet Smith. At best, we might be able to visualize more of her professional life than her personal one. But we are also missing many, many letters sent to colleagues and acquaintances that never made it into archives and private collections. Many of the papers of Addams’s European counterparts did not survive World War II. So what we are left with is an impression, a partial glimpse into her world, but an imperfect one.
What can counts of letters tell us about Addams’ life? When I first took on editing the Addams Papers, I tried to estimate (by counting entries in the microfilm edition index) how many documents we had in the base collection so that we could estimate how long the project would take. Even as basic a visualization as the one below can help you see the broadening of Addams’s life as she moved from a local activist to one who operated on a global scale. It can give a rough visualization of when things happened in her life.
This red line (total documents) gives us a good sense of scale, and also the years where we could expect the heaviest number of documents. In the first ten years (1901-1910) we had low document counts, which rose dramatically in 1912 (Addams’s participation in the 1912 presidential election), 1915 (Addams’s establishment of a peace movement in the U.S. and international peace congresses). Her activity through the 1920s and early 1930s remains high, with peaks in 1927 and 1931 (Addams’s Nobel Prize).
Looking at the lighter green line (letters written by Addams), we see a fairly consistent output until the end of her life. The only outlier is 1923, a year in which Addams was on a tour of Asia and then suffered from serious illness. It is possible she wrote fewer letters, or fewer of them survived. Most of the dramatic peaks come from increases in incoming letters.
Anneliese Dehner, our web developer prepared a spreadsheet that represented the Item Relations for people in our digital edition. I was able to work with that in a rudimentary way to explore Gephi.
Nodes and edges
In network visualization there are two tables of information, nodes, which are unique objects, and edges, which link nodes by some kind of action. The hard work of network visualization is gathering all this data so that it can be displayed by Gephi or any other tools.
For a correspondence network, the NODES are the people in the database. They get an ID (in our case the Omeka ID number on our database) and a LABEL (the name of the person).
The EDGES represent the letter. They contain an unique ID, a SOURCE (the ID number of the author of the letter) a TARGET (the ID number of the recipient of the letter) and a WEIGHT (the number of times that that same combination appears). They can also have a LABEL (the relationship — in this case “Written by”). The most common recipient, with 234 letters, is Sarah Alice Addams Haldeman (#50), the sister of Jane Addams. In second place is Emily Greene Balch (#501), a co-worker in the peace movement, donor Anita Blaine McCormick (#60) in third place, and social worker and settlement founder Lillian Wald (#33) in fourth place.
Another table of EDGES describes the people who were Mentioned in a document, not just the authors or recipients. This might get at a more representative understanding of Addams’s network because one could surmise that important people might be mentioned in letters even if the correspondence between those two people might be lost. And here we do see different results. On this table Mary Rozet Smith (#164), Addams’s companion comes out at the top, with Woodrow Wilson (#4596) coming in second, donor Louise DeKoven Bowen (#814) in third place, and Addams’s niece, Marcet Haldeman-Julius (#30) in fourth place.
My first visualization of the mentions data was, to be frank, underwhelming, unless you like big black boxes of goop!
We have over 10,000 names in the NODES table. To get to a visualization that is more legible, I excluded edges with less than 10 mentions in the correspondence. Now that is readable! The weight of the line indicates the number of mentions.
I played with the appearances of our networks to make them easier to understand. Making the labels and the circle sizes proportional to the number of mentions allows you do see things more clearly.
The visualization is interactive. If I click on Paul Kellogg’s circle, only those names associated with him are highlighted– in this case a small subset of the network.
While Emily Greene Balch, a peace activist, is far more interconnected.
The idea here is to explore the various networks that Addams built in her work for peace, social justice, social work, and other causes.
Generating the data to build the NODES and EDGES tables requires some work, and filtering the data to get a meaningful result will be critical to creating data sets that the public can use. Our goal is to make this kind of data accessible to students and digital humanists to explore data visualization and Jane Addams.
We are still adding documents to the digital edition, so the first step may be building a dataset of correspondence for each year that we have completed.
In my next post, I’ll look at building a network using our data on people and organizational membership.