Monuments vs. Documentary Editions: How Best to Remember the Past

A statue of Christopher Columbus outside the Minnesota State Capitol was taken down by American Indian Movement members on June 10, 2020.

We have all been thinking and talking about monuments, about how they are created, what they mean,  and when or whether they should come down.  Whether it is the toppling of the likeness of Christopher Columbus in Minnesota, efforts to remove the Robert E. Lee statue in Richmond, or the removal of Margaret Sanger’s name from Planned Parenthood of New York’s downtown clinic, the meaning of monuments and our understanding of the past is being challenged. Monuments are a problematic way to understand history. They are a one-note, simplistic way of claiming that a person  mattered to the people that put them up. Over time, they become something else, icons of the cities in which they are located, and a shorthand guide to a history that glorified mostly male and mostly white political and military leaders. They offer a simple message — hey, this guy was great! We understand the danger of this kind of simplification when talking about living people. We even have a phrase to warn us about the risks of doing it — putting someone on a pedestal — or to believe or behave as if someone  is perfect  to the extent that one ignores that person’s flaws or faults.

The Robert E. Lee Monument in Richmond has been defaced with graffiti. The governor announced plans to take it down on June 4, 2020, but this has been challenged in court.

And it is the faults and the flaws of the people we have honored with monuments that are being exposed now.  It is past time. No one, now or then, is perfect. How can we reconcile honoring an individual who owned slaves, or who fought against the Union, or who held racist, sexist, or eugenic views? On the flip side, how can we ignore the context of the times they lived in? Is it right to hold people to ahistorical standards of behavior? We have to place people in historical context, based on an understanding of what the world was like when they lived. This isn’t just making excuses or becoming an apologist for figures from the past.  We have to stop seeing people as either good or evil, heroes or villains, and instead be able to see the grey, to praise what they did well and condemn what they did that was intolerable. We have to stop putting them on pedestals.

A Better Way to Learn About the Past

A name on a sign or a building, or a statue doesn’t tell much about the person, for good or ill.

If a monument is too simplistic — too one-note — to convey the complexity of a human life and the historical times they lived in, what is the alternative? I would argue that it is the documentary edition, made freely available, that brings understanding of the complexities of the past. My career as a historian has been as a documentary editor, first with the Margaret Sanger Papers, and now with the Jane Addams Papers, so I may be biased, but I also speak from experience.

A documentary edition is not a film, it is a compilation of historical documents, prepared by scholars, on a theme of historical importance. It is usually centered around a single person’s life, but occasionally describes a group, such as the Freedmen and Southern Society Project or the Yale Indian Project’s Native Northeast Portal.

We center the work around the words of the historical figure

Much of the work of the editor revolves around finding, selecting, and transcribing the letters, speeches, diaries, and other texts produced by a historical figure. We use our historical training and long hours of reading literally everything a person wrote to select documents that offer a nuanced and complex view of that person’s life and career.

We don’t shirk from the negative or controversial. When selecting documents for the Selected Papers of Margaret Sanger, we made sure that her views on race, on eugenics, and on abortion were included alongside her views on women’s rights, civil liberties,  and reproductive freedom. With the Selected Papers of Jane Addams, we look to highlight Addams’s views on race, poverty and immigration, just as much as her ideas about social work and peace.

The Jane Addams Papers Project consists of a microfilm, print edition (6 volumes planned) and a digital edition based on the microfilm.

Many editions create two products. The first is a comprehensive edition, often digital nowadays, but in the past they were published on microfilm. These collections, resulting from years-long searches in archives and private collection, are extremely valuable for scholars because they bring together materials that were dispersed over the globe. The selected edition, often published in book form, though increasingly in digital form, takes the most historically significant materials and adds annotation, to create a readable series that tells a shorter, yet nuanced, story of the figure’s life.

We work really hard to make sure that the texts of the documents that you read in our editions are accurate and complete.  You won’t find snippets of texts removed or taken out of their context  in order to make an argument.  We proofread the transcriptions as many times as is needed to get a good, accurate text. The focus is on the document, and by reading them, one after another, you gain a deeper, personal understanding of the subject.

We provide historical context, but leave interpretation to you

Editions use annotation (headnotes, footnotes, and introductory texts) to give the reader a sense of the times, to fill in the gaps when the texts don’t do it. Editorial annotation is not the same as historical interpretation. This was brought to my attention when working on an early draft of my dissertation on birth control clinics, when my adviser, Linda Gordon, pointed out that I wasn’t disclosing what I thought about all the materials. My text was descriptive and it needed to be analytical and interpretive.  I was writing like an editor, carefully researching and describing situations, but not bringing my own views, ideas, and analysis to the foreground. Writing an interpretive narrative is a different animal, one in which your experiences and the times in which you live color the way that you approach a topic. Think about multiple biographies of the same person — the basics of their lives stay the same, but the questions we ask, the values we bring to the topic affect the way that we view and interpret the past. Editors aren’t immune to those same biases, but our approach is different.

Our annotation is document-driven. What I mean by that is that we look at the texts, written by our subjects, and explore their content. When a person or event or topic is mentioned, we add a footnote to explain who or what they are talking about. There is no better training than researching for a documentary edition.  You don’t get to decide that the topic is too hard and you can’t skip over things or change your research direction, like you might do in a monograph or term paper.  These notes are generally short and informational rather than interpretive, which teaches you to be precise and succinct. Reading the text with the footnotes helps the reader understand things that a contemporary reader would already know.  I liken it to reading with the town busybody standing over your shoulder, providing you with the backstory for each document.  Except that busybody is a historian.

Jane Addams to Theodore Roosevelt, August 24, 1912.

Annotation can also fill gaps in documentation. The nature of a selected edition is that we have left many, many documents out.  For example, we selected a letter written to Theodore Roosevelt from Addams in 1912 about her role in winning women to the Progressive Party. This was not the first letter written about the topic, so we use annotation to summarize what already occurred before that document was written. It brings the reader up to the now.  We also use annotation to refer readers to material in archives and in our comprehensive microfilm or digital edition where they can go deeper.

Where does interpretation fit in all this? After reading so much and researching every bit of a person’s life, editors do form opinions and interpretations. They might turn up in the introduction to a volume, a conference paper, a blog post,  journal article, or monograph. The litmus test, for me, is whether a person who doesn’t like the subject can use our work with confidence. Will they trust that you haven’t hid or obscured documents or other materials that could make your subject look bad? My favorite review of the first volume of the Selected Papers of Margaret Sanger was from the Weekly Standard, where David Tell wrote:

Somewhere, amidst the sucker punches and cries of foul, the truth must reside. And “somewhere,” it turns out, is the enormous and altogether dazzling selection of public and private records just put out by the manuscript curators at New York University’s “Margaret Sanger Papers Project.” They too, like the earlier biographers, unambiguously admire the woman. But they have done their editing with scrupulous care, they have annotated the documents they reproduce with monk-like dispassion, and on the face of it they have held nothing back. (January 27, 2003)

History for the Masses

Digital scholarly editions, made freely available, are a far better monument to the life of a historical figure than statues or buildings could ever be. They provide a historically accurate, nuanced look at a life. They show the moments of weakness as well as moments of great strength and more than biographies or statues ever can, they render historical figures as real people. People with problems, people who have difficult family members, who follow fad diets, watch plays and movies, and fully lived in their times. They also foster critical thinking about historical figures and moments. While editions won’t fit easily into 140 characters or a 15-second TikTok video; neither does history.

Who we select to be the subjects of editions matters

Editions don’t stand outside society, and there has been a long history of privileging the papers of white male politicians and military leaders. Whether the founding fathers, presidents, or generals, the subjects of these editions sound much like the names on monuments, and the names we all learned in history books. The editions of these papers provide a more nuanced view of those lives, including co-workers, rivals, families, and in some cases, slaves.

A statue of Jane Addams lifting an immigrant child on the campus of Cal State Fresno.

In the 1970s, the field began to open up, adding a handful of projects featuring women and African-Americans. But it is not enough. We need to broaden the topics of editions to include the voices of marginalized peoples. And we need to broaden the range of people who become editors, because more voices will reveal a more vibrant story of America’s past. Smaller projects, based on intriguing people reveal lives and stories that have been erased from popular notions of history.  It is happening, albeit slower than we would like.

Thinking again about monuments, I wonder if there might be an “edition-worthy” check before you put up a monument. Could you devote years of research, funding, and scholarly effort to create the Papers of Edmund Pettus? And after you had done so, exploring his ideas and providing context for his military career, his political views, and his leadership in the Ku Klux Klan, would you build a statue or name a bridge after him?

 

 

 

 

Visualizing Jane Addams’ Social Networks

I recently took a course on Gephi, an open-source network visualization tool offered by the Programming 4 Humanists group at Texas A&M University. This three-session Zoom-based course, taught by Katayoun Torabi was a great entry to a digital humanities topic that I have long been interested in.

One of our long-range goals at the Jane Addams Papers Project is to make the underlying data in the digital edition accessible so that digital humanists can use it for research. Having a chance to play around with network visualizations helped me to think through how we might use this tool to understand Jane Addams’s life and her causes in new and interesting ways. It also helped me better understand what we need to do to make data from our edition available.

A few ideas popped out immediately:

    • a visualization of Addams’s correspondence, modeled on the ideas used to create the Mapping Republic of Letters project at Stanford.
    • a visualization of how people in the Addams’ digital edition were connected via organizations, looking at for example, the interactions between women involved in the suffrage movement and the peace movement.

In this post we will look at correspondence networks.

Thinking About Data

The examples that Katayoun used in our class were all drawn from literature. We mostly worked with data from Shakespeare’s Hamlet, looking at instances of speech between characters to create visualizations of how the characters related to one another.

Here is my visualization of Hamlet using Katayoun’s data set. Central characters have larger circles and appear in the center, while less important characters are further out, smaller and have fewer appearances.

What struck me almost immediately was that the difference between this kind of analysis and what I hoped to do, was that with a literary work (or any single historical record), this analysis can provide an accurate representation of that text. As I thought about how we could this tool to understand the Jane Addams Papers, the problem of incomplete data reared its ugly head.

We have to understand that any visualization of the Jane Addams papers cannot fully be a visualization of Jane Addams’ lifeAddams’s papers are incomplete. We are missing many of Addams’ most intimate letters between family members and her long-time companion, Mary Rozet Smith. At best, we might be able to visualize more of her professional life than her personal one. But we are also missing many, many letters sent to colleagues and acquaintances that never made it into archives and private collections. Many of the papers of Addams’s European counterparts did not survive World War II. So what we are left with is an impression, a partial glimpse into her world, but an imperfect one.

What can counts of letters tell us about Addams’ life? When I first took on editing the Addams Papers, I tried to estimate (by counting entries in the microfilm edition index) how many documents we had in the base collection so that we could estimate how long the project would take. Even as basic a visualization as the one below can help you see the broadening of Addams’s life as she moved from a local activist to one who operated on a global scale.  It can give a rough visualization of when things happened in her life.

Counts from the microfilm index.

This red line (total documents) gives us a good sense of scale, and also the  years where we could expect the heaviest number of documents. In the first ten years (1901-1910) we had low document counts, which rose dramatically in 1912 (Addams’s participation in the 1912 presidential election), 1915 (Addams’s establishment of a peace movement in the U.S. and international peace congresses). Her activity through the 1920s and early 1930s remains high, with peaks in 1927 and 1931 (Addams’s Nobel Prize).

Looking at the lighter green line (letters written by Addams), we see a fairly consistent output until the end of her life. The only outlier is 1923, a year in which Addams was on a tour of Asia and then suffered from serious illness.  It is possible she wrote fewer letters, or fewer of them survived. Most of the dramatic peaks come from increases in incoming letters.

Anneliese Dehner, our web developer prepared a spreadsheet that represented the Item Relations for people in our digital edition. I was able to work with that in a rudimentary way to explore Gephi.

Nodes and edges

In network visualization there are two tables of information, nodes, which are unique objects, and edges, which link nodes by some kind of action. The hard work of network visualization is gathering all this data so that it can be displayed by Gephi or any other tools.

    • For a correspondence network, the NODES are the people in the database. They get an ID (in our case the Omeka ID number on our database) and a LABEL (the name of the person).
Here is a snippet from the Nodes table. Each name in the database is assigned a unique identifier.
    • The EDGES represent the letter. They contain an unique ID, a SOURCE (the ID number of the author of the letter) a TARGET (the ID number of the recipient of the letter) and a WEIGHT (the number of times that that same combination appears). They can also have a LABEL (the relationship — in this case “Written by”). The most common recipient, with 234 letters, is Sarah Alice Addams Haldeman (#50), the sister of Jane Addams. In second place is Emily Greene Balch (#501), a co-worker in the peace movement, donor Anita Blaine McCormick (#60) in third place, and social worker and settlement founder Lillian Wald (#33) in fourth place.
This table of edges show author Jane Addams’ (#5) most frequent recipients.
    • Another table of EDGES describes the people who were Mentioned in a document, not just the authors or recipients. This might get at a more representative understanding of Addams’s network because one could surmise that important people might be mentioned in letters even if the correspondence between those two people might be lost. And here we do see different results. On this table Mary Rozet Smith (#164), Addams’s companion comes out at the top, with Woodrow Wilson (#4596) coming in second, donor Louise DeKoven Bowen (#814) in third place, and Addams’s niece, Marcet Haldeman-Julius (#30) in fourth place.
This table shows the most commonly mentioned people in letters written by Jane Addams (#5).
Basic Visualization

My first visualization of the mentions data was, to be frank, underwhelming, unless you like big black boxes of goop!

There are simply too many points in this data!

We have over 10,000 names in the NODES table. To get to a visualization that is more legible, I excluded edges with less than 10 mentions in the correspondence.  Now that is readable! The weight of the line indicates the number of mentions.

These are the people mentioned the most in the digital edition, thus far.

I played with the appearances of our networks to make them easier to understand. Making the labels and the circle sizes proportional to the number of mentions allows you do see things more clearly.

The visualization is interactive. If I click on Paul Kellogg’s circle, only those names associated with him are highlighted– in this case a small subset of the network.

Paul Kellogg of the Survey’s network.

While Emily Greene Balch, a peace activist, is far more interconnected.

 

Emily Balch worked with Addams in the Woman’s Peace Party and the Women’s International League for Peace and Freedom.

The idea here is to explore the various networks that Addams built in her work for peace, social justice, social work, and other causes.

Next steps

Generating the data to build the NODES and EDGES tables requires some work, and filtering the data to get a meaningful result will be critical to creating data sets that the public can use. Our goal is to make this kind of data accessible to students and digital humanists to explore data visualization and Jane Addams.

We are still adding documents to the digital edition, so the first step may be building a dataset of correspondence for each year that we have completed.

In my next post, I’ll look at building a network using our data on people and organizational membership.

Jane Addams, Vachel Lindsay, and Me

History is, essentially, the stories of individual people and the interconnectedness of their stories to each other and to the broader history of their communities, their societies, and their world. The intersections of the lives of the historical figures who occupy my historical imagination are fascinating to me, and the people who inspired them are always central to the development of my understanding about their lives and the historical space they occupied. Jane Addams, for example, was an inspiration to an entire generation of female reformers who lived and worked at Hull-House, and the individual work those women pursued made an important impact on Addams’s world view, her writing, and her advocacy for social and economic justice. As well, her fascination with Tolstoy and her childhood memories of Abraham Lincoln offer us insights into the development of her ideas, her ideals, and her visions for reform.

As a historian, I spend a great deal of time thinking about these human connections of the past. The close relationships of the historical figures I study—like the intimate friendship between Jane Addams and Mary Rozet Smith or the professional relationship Addams shared with reformer and settlement worker Lillian Wald—offer obvious clues about Addams’s personal and professional life. The intersection of these particular personal stories tell me much about the lives of women in the first part of the 20th century, the network of Progressive Era reformers, and the conditions of life in the urban environments of Chicago and New York City. But as an enthusiast of the past, it really gets interesting for me when I chance upon an unexpected or less obvious historical connection. It is particularly thrilling when that connection also resonates in some way with my own personal story or relates to other historical interests I  entertain.

Recently, I was doing some editorial work on a set of documents dated just days after American entry into WWI. One document was a letter to Jane Addams, dated April 9, 1917:

My Dear Friend:

What shall I do? This war breaks my heart. Send me what you have written since [William Jennings] Bryan enlisted — for instance. Are you with Bryan? Do you accept President Wilson’s war message on its face value? Is that final with you?

I hate a hyphenated American. I hate war. But I owe no one in Europe a grudge. I would rather be shot than shoot anybody. If I had been in Congress I would have voted with Miss [Jeannette] Rankin and would have considered it a sufficient reason to say “I will not vote for war till she does.”

Please write me a tract, or send a clipping. With all respect

Nicholas Vachel Lindsay

Vachel Lindsay was a poet and performing artist who is relatively unknown today. He lived and worked in Springfield, Illinois, where I lived and work myself for more  than twenty years;, and, therefore, I am well acquainted with his body of work and the story of his life. When I read his letter to Addams, I recalled that Lindsay had written a poem about her, inspired by her peace trip to Europe in 1915. However, I was unaware he knew Addams personally nor that he had corresponded with her. The Jane Addams Digital Edition includes four letters from Lindsay to Addams, each revealing something of the poet’s respect for and fascination with Addams and with Hull-House. In an October 1916 letter, Lindsay proclaimed: “I have loved you a long time dear lady.”

That love had, indeed, inspired the poem I had remembered, “To Jane Addams at The Hague,” which Lindsay first published in the Chicago Herald  in May 1915 and later as part of his popular 1917 collection The Chinese Nightingale and Other Poems.

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In the 1910s, Lindsay spent time in Chicago performing his poems and seeing his literary friends, including the poet and magazine editor Harriet Monroe, with whom Addams was also acquainted. Lindsay frequented Hull-House, where his good friend George Hooker was a resident, and it seems likely he enjoyed at least one or two good talks with Addams. It is unclear when he might have been formally introduced to her, but in April 1916 he wrote her a letter indicating they had been corresponding for some time. That letter was a reply to a letter from Addams, and in it Lindsay sent her his wish that they may soon see a moving picture show together. There are no known extant letters of Jane Addams to Vachel Lindsay, but the content of his letters to her indicates she had some interest in the young man and his work, and in a speech in 1922, she quoted Lindsay’s analysis of the new medium of the movies in modern society.

Lindsay, who was associated with a group of celebrated Chicago writers that included Edgar Lee Masters and Carl Sandburg, was a creative and somewhat eccentric young man. He traveled the country on foot, selling his poems to support himself, and he popularized for a time the chanting and singing of poems, often performing them with musical and dance accompaniments. In December 1916, Lindsay invited Addams to one of those performances at the Little Theatre in Chicago. It is unclear if she attended, but there is evidence she invited Lindsay to Hull-House on a few occasions. In October of that year, Addams sent Lindsay a copy of her book The Long Road of Woman’s Memory, and in his letter of thanks he wrote: “I sat down and read it all morning and half the afternoon the minute it arrived. It is a lovely book—the work of a Greek, a woman more Greek than Christian.”

The fact that Lindsay, who was a progressive thinker, admired Jane Addams and her work is not surprising. Addams and Hull-House inspired many artists and writers, as well as reformers and social workers. Nor is it surprising that Lindsay, who spent time in Chicago and who interacted with people in the orbit of Hull-House, had a personal acquaintance with the famed settlement worker. What is surprising, and fascinating, too, is that Lindsay experienced a strong emotional connection to Addams. His friendship with her his touched soul, as one biographer put it. Lindsay looked to Addams for answers about his anxieties related to the war, sought her approval of his work, and shared with her his fears about failure. “Back of it all is the hope that my book shall be a live thing—a piece of ink-dynamite, not just a book pleasantly discussed by people who read my verses,” he wrote Addams in 1916. “With so many books dying before my eyes—I cannot bear to write a dead one.”

Lindsay had experienced his first hallucinations in 1904, initial signs of the future mental illness that would ultimately cost his him his life; and his breakup with the poet Sara Teasdale in 1914 had been emotionally traumatic for the poet. But by 1916, Lindsay was enjoying considerable literary success, winning awards and selling books. Although four letters is far, far, far from enough evidence to evaluate the emotional importance Lindsay may have been attaching to his friendship with Addams, a close reading of the letters, however, evokes a whisper of the mental distress that was coming. There is a breathless quality to the words and the sentences, and the letters leave me wondering what kind of advice or encouragement Jane Addams may have offered Lindsay in their face-to-face interactions with each other. It is unlikely we will ever know.

What I know for certain, however, is that the relationship between Lindsay and Addams, despite what it may have meant to her on a personal level, is an example of the richness of the interconnectedness of human stories, the broader sphere of one person’s influence in the world. In this case, it speaks to the significance of Jane Addams as an inspirational figure. But it is also one of those delightful connections I am happy to chance upon, which light a spark in my historical imagination and connect my own story to the stories of the past.

Notes: Anna Massa, Vachel Lindsay: Fieldworker for the American Dream, Bloomington: Indiana University Press, 1970, 17, 46, 100-101, 202; Eleanor Ruggles, The West-Going Heart: A Life O Vachel Lindsay (New York: W. W. Norton, 1959), 240, 247, 258; “Lindsay, Vachel (1879-1931), American National Biography; Vachel Lindsay to Jane Addams, October 15, 1916; Vachel Lindsay to Jane Addams, October 29, 1916; Vachel Lindsay to Jane Addams, April 9, 1917; Vachel Lindsay to Jane Addams, June 26, 1917, all in Jane Addams Digital Edition. William Jennings Bryan (1860-1925) was a Democratic politician from Nebraska. In April 1917, he offered his services to the government in the war effort. American National Biography. Jeannette Rankin (1880-1973), a peace activist and Republican politician from Montana, was the first woman to serve in Congress. She voted against the American declaration of war against Germany in 1917. American National Biography; Biographical Directory of the United States Congress. The image of Lindsay is courtesy of the Prints and Photographs Division, Library of Congress, Washington, DC.

The Politician and the Old Women of Hull House

Once upon a time in Chicago, there was an ambitious little politician who decided to make a name for himself by picking a fight with the women of Hull-House. For a man who built things for a living, perhaps he should have known better than to employ a political strategy of burning down the house. But he was new to politics, and he did not know better. He saw his path to power in the persona of “Battling Peter,” who would rattle the foundations of the city’s social reform structures to raise his voice above the progressive din. His political strategy was to attack social reformers in the city, particularly the female ones, and the institutions they supported.

Peter Bartzen, a 61-year-old proprietor of a mason and carpentry business, was that politician. The office he sought was President of the Cook County Board of Commissioners. During the fall of 1910, the fiery Democrat campaigned for that office by denouncing what he called the “hypocritical horde of reformers,” particularly the women of Hull-House. Politically ambitious with his eyes on a future gubernatorial run, Bartzen was a political novice. His only political experience was a four-year stint as an appointed building commissioner. To be governor, he needed a political victory and a message to launch his political career. With an “aggressive personality,” Bartzen decided to make a name for himself by whipping up foment against his city’s “child savers” and meddling do-gooders.

Bartzen was not a popular candidate, but the incumbent he hoped to unseat was not all that popular, either. Bartzen, who was not widely known, won the election on the coattails of a historic Democratic sweep, the county Democrats upsetting Republicans who had held power for sixteen years. The women Bartzen had maligned during his campaign for office had no direct say in the election, because women in Chicago, in Illinois, and in most states across the country, could not vote. No doubt that is precisely why Bartzen was so comfortable in his attacks against them. But when Bartzen took his seat, many prominent women reformers in Chicago set their watchful eyes upon the pesky, provocative politician.

During his first year in office, Bartzen did much to earn the disdain of Chicago reformers. For instance, he took aim at many of the county’s social service institutions, arguing that they were doing more harm than good to the county’s children and their families. In particular, he launched a full-scale investigation of the Chicago Juvenile Court in July 1911 in an effort to dismantle it. At the same time, Bartzen wholeheartedly embraced the long Chicago tradition of the spoils system by appointing his political allies to various posts under his authority, including some within the court itself. When Bartzen removed the juvenile court’s chief probation officer John Witter, a professional hired through the civil service system, he renewed his personal attacks against Hull-House, as well. In a public statement about Witter’s firing, Bartzen said: “It looks as if Mr. Witter has been under the influence of Hull-House. He ought not to be listening to a bunch of old women all the time.”

The “Old” Women of Hull-House (Julia Lathrop and Jane Addams with friend Mary Wilmarth, who was, actually, kind of old, but she didn’t live at Hull-House)

That bunch of old women was led by the 51-year-old Jane Addams, a nationally respected and beloved social reformer, and the 53-year-old Julia Lathrop, who helped found the influential Chicago School of Civics and Philanthropy and was one of the city’s most prominent proponents of the Chicago Juvenile Court. Both of the women were a decade younger than Bartzen, but he dismissed them as members of the weaker sex, with no right to their opinions let alone their influence.  Bartzen’s position was a powerful one. He presided over a fifteen-member board that controlled some $10 million and managed much of the county’s infrastructure and its public institutions, including its civil service system. But the city’s community of social reformers was also powerful, and Bartzen underestimated the women who led them.

In September 1911, Bartzen’s fight with the women of Hull-House escalated. When he made a particular play to discredit the work of the Chicago Juvenile Court and the Illinois Industrial School for Girls, Julia Lathrop fired back. In a public speech, Lathrop responded: “Both attacks have been made for the purposes of political capital…The noble minded women who have been working for the salvation of Chicago’s children made some errors. They were not serious errors, but they were enough to give politicians a peg on which to hang an investigation.” The court had suffered some growing pains, but the court’s founders and supporters were willing to recognize problems and work to correct them. As well, the Chicago Woman’s Club and the Juvenile Protective Association, which included some very well-heeled and outspoken women, loudly reaffirmed their support of the institution in the wake of what they believed were unwarranted, politically motivated attacks against it.

Reformers in Chicago were eager to defend the court and its mission to help disadvantaged youth escape the harsh justice of the criminal courts. They were growing particularly concerned about Bartzen replacing qualified probation officers working with the juvenile court with political hacks. Just days after Lathrop’s defensive stand against Bartzen, Dr. James A. Britton, the chief medical officer of the city’s juvenile home, resigned his post in protest. He charged that Bartzen was thumbing his nose at civil service law, which provided qualified professional probation officers to the juvenile court, and that Bartzen was “loading up the county service with political friends.” Britton was a Hull-House resident and the husband of Gertrude Howe Britton, another Hull-House resident, who was also affiliated with the Juvenile Protective Association. Mrs. Britton was just 43-years-old, but Bartzen no doubt dismissed her, and likely her husband, too, as meddling Hull-House do-gooders. Bartzan was leaving in his political wake a long list of scorned old women at Hull-House.

During the next year, Bartzen did not change his colors, and neither did the old women of Hull-House. Bartzen continued to undermine the civil service system and threaten the life of the city’s social institutions; and the city’s reformers grew increasingly certain Bartzen was a dangerous political incumbent. In the fall of 1912, Jane Addams decided to beat Bartzen at his own game: politics. She led a group of the city’s reform-minded citizens, most of them men with political clout, to select a candidate to defeat Bartzen in the November 1912 election. The committee chose Alexander A. McCormick, a former newspaper editor and progressive thinker. In August, Addams sent a telegram home to Chicago while she was vacationing in Maine, indicating the reformers’ choice: “Social workers have much to do in persuading A A McCormick to run for president of county board.” Addams believed a failure to defeat Bartzen would spell the “destruction of juvenile court.”

Jane Addams (at right) in a parade for woman suffrage.

McCormick agreed to run on a Progressive Party ticket, and Addams’s political committee went to work. The campaign against Bartzen was ruthless, focused as it was on exposing him as a danger to the county’s most vulnerable citizens. Women led the charge, giving speeches and writing letters. On Nov. 2, 1912, on the Saturday just before the election, Addams and her committee behind McCormick published in the Chicago newspapers a signed circular entitled “Call to Public Service in the Interest of the Poor, Sick, Aged and Injured, and the Helpless Children of Chicago and Cook County.” The document skewered Bartzen’s policies, accused him of wasting public funds, asserted his guilt in “crimes of neglect and mismanagement of the Cook County Hospital,” and called his attack on the juvenile court “misleading and fraudulent.” In summary, the circular cautioned readers: “A vote for Peter Bartzen means a vote for the continued demoralization of all the public service institutions of the county, on which Bartzen and his henchmen have feasted while the dependents of the county have starved and been neglected.”

It is true that 1912 was a weird political year, with the role of a spunky third party mixing things up at the local, state, and national levels. The “Bull Moose” factor definitely influenced the Cook County elections. However, Bartzen’s particular reelection chances appeared to have lost traction on the heels of Chicago’s old women weighing in so loudly on his political record. Bartzen’s political strategy of picking a fight with Hull-House and Chicago’s most respected citizen backfired, and he lost the election.

The ambitious little politician had underestimated the old women at Hull-House and the political power they could garner, even without the right to vote for themselves. Bartzen not only lost this election, but he did not become the governor of Illinois, either. Even his obituary in 1933 dismissed his brief political career as minor, remembering his tenure as “anything but peaceful.” In the end, “Battling Peter” lost his battle against the battle-tested old women of Hull-House. While those women continued to make their positive marks on the history of Chicago, history resigned Bartzen to the political dustbin.

In 1914, Jane Addams published an article in the Ladies’ Home Journal in which she hailed the value of women over the age of fifty. “The weariness and dullness, which inhere in both domestic and social affairs when they are carried on by men alone, will no longer be a necessary attribute of public life when such gracious and gray-haired women become a part of it,” she wrote. “Ever-widening channels are gradually being provided through which woman’s increasing moral energy may flow, and it is not too much to predict that in the end public affairs will be amazingly revivified from those new fountainheads fed in the upper reaches of woman’s matured capacity.”

In the article, Addams shouted praise to “old” women like Ella Flagg Young, the Chicago Superintendent of Schools; novelist Edith Wharton; and Dr. Anna Howard Shaw, the long-running president of the National-American Woman Suffrage Association. Jane Addams knew the fight that resided in the hearts of experienced, capable, older women. She understood the beautiful extent of possibilities for women who used their talents for the betterment of their communities and the world. Peter Bartzen probably didn’t read that Ladies’ Home Journal article, and he may have never admitted to himself or to anyone else that he had been undone by women. Who knows if he harbored any regrets about his brief political career or the choices he made to conduct it.

The story of the politician and the old women of Hull-House is not a fairytale in which the villains are defeated and heroes in the story live happily ever after. Real life is more complicated than that. But this story is, perhaps, a fable Aesop himself may have written if he had lived in Chicago during the Progressive Era, when Jane Addams and scores of smart, capable, and commanding older women roamed the city’s dirty streets in order to clean them up. The moral of that fable is this: Beware the people you look past in your blind ambition; beware the people who seem to be precisely what you assume, unthreatening and unworthy of your respect. They might just turn out to be the clever, unrelenting, powerful force that becomes the fatal obstacle you never expected.

By Stacy Pratt McDermott, Associate Editor

Notes: David S. Tanenhaus, Juvenile Justice in the Making (New York: Oxford University Press, 2004), 82-110; Albert Nelson Marquis, ed., Book of Chicagoans, 1911 (Chicago: A. N. Marquis & Co., 1911), 42-43; Illinois, Deaths and Stillbirths Index, 1916-1947; Witter v. County Commissioners, 256 Ill. 616 (1912); “Editorial Musings,” The Daily Herald (Arlington Heights, IL), Nov. 4, 1910, p. 1;  Letter, Nov. 5, 1910, “Busse-Deneen Ring Is Smashed in Cook County by Democratic Victory,” Nov. 9, 1910, p. 1; “Would End Juvenile Court,” Chicago Tribune, July 30, 1911, p. 7; “Fight New Child Court Idea,” Chicago Tribune, Aug. 1, 1911, p. 4; “Bartzen Scored by Julia Lathrop,” Chicago Tribune, Sep. 24, 1911, p. 5; “Physician Quits Bartzen Regime,” Chicago Tribune, Sep. 26, 1911, p. 3; “Call to Public Service,” Nov. 2, 1912, p. 5; “Sociologists Say Bartzen Is Menace,” The Inter Ocean (Chicago), Nov. 2, 1912, p. 5; “Chicago Women, In Humane Plea, Flay Bartzen,” The Inter Ocean, Nov. 2, 1912, p. 1; “Save the Helpless From Bartzen,” The Inter Ocean, Nov. 4, 1912, p. 6; “Old and New County Board Presidents Shake Hands,” Chicago Tribune, Dec. 1, 1912, p. 3; “Peter Bartzen, Old Political Battler, Dead,” Chicago Tribune, Apr. 8, 1933, p. 1; Jane Addams to Julia Clifford Lathrop, August 7, 1911; Endorsement for Alexander McCormick for Cook County Board of Commissioners, 1912; Jane Addams to Alexander Agnew McCormick, August 21, 1912; Jane Addams to Charles E. Merriam, August 21, 1912; Jane Addams to Raymond Robins, August 21, 1912; Raymond Robins to Jane Addams, August 22, 1912; Need a Woman Over Fifty Feel Old?, October, 1914, all in Jane Addams Digital Edition.

Survey on Digital Editions

 
 
The Jane Addams Papers Project, in partnership with the University of Michigan School of Information, is exploring the user experience for both the Jane Addams Digital Edition and scholarly digital editions in general. If you are a student or a scholar who has used at least one print or digital scholarly edition in the past, we would be grateful if you could take 5–10 minutes to participate. The survey will be open until Wednesday 3/18. Responses are anonymous, but we will gather your email address at the end to enter you in a drawing for a Starbucks gift card!

Each for Equal: International Women’s Day 2020

Each for Equal

This year’s International Women’s Day theme is #EachforEqual; an equal world is an enabled world. There are many women we could discuss today: Jane Addams, of course, for her work in the immigrant communities of Chicago, among many other areas she championed in the name of equality. Carrie Chapman Catt, who heavily campaigned for women’s suffrage rights. Lillian D. Wald, who taught women valuable skills out of the Henry Street Settlement. And Emily Greene Balch, a staunch supporter of peace as a central leader in the Women’s International League for Peace and Freedom. But there is, I believe, a group of women whom we often forget to include when discussing Addams, especially her work for peace — the women who aided Addams outside the United States.

It is easy to forget that many of Addams’s contemporaries were

Vereeniging voor Vrouwenkiesrecht (Society for Women’s Suffrage) Officers, 1914. Aletta Henriëtte Jacobs, third from left.

located outside the United States. Dr. Aletta Henriëtte Jacobs, a Dutch physician and suffrage activist, had multiple achievements to her name, including her life-long struggle for women’s equality. Jacobs was the first woman to attend a Dutch university, inspired by her father, physician Abraham Jacobs. Jacobs became a pharmacy assistant, continuing on to University of Groningen. In 1879, Jacobs set up a practice in Amsterdam, offering free appointments to poor residents, struggling to maintain large families. In a controversial move, in 1882 Jacobs offered birth control advice at her clinic, the first clinic ever to do so in the world. She paved the way for Dutch women to seek an education outside finishing school, and control the size of their families, lowering the infant mortality rate and improving women’s health in the process.

Chrystal Macmillan was a British pioneer, one of the first woman to graduate from the University Edinburgh in 1896 then finishing her studies in Berlin and Edinburgh. MacMillan fought for women’s rights at Edinburgh University. When World War I began, Macmillan threw her energies into providing food for Belgian refugees. Her staunch pacifist views made her a leader in

the English movement against war, and brought her into the international drive to end war. Macmillan was one of only three British women who attended the 1915 International Congress of Women and throughout the war worked for peace and a negotiated settlement. In March of 1919, Macmillan attempted to lessen the surrender terms to be implemented for Germany in the Treaty of Versailles, but no changes were made. Chrystal Macmillan dedicated her life to the equality and fair treatment of women and oppressed peoples, regardless of their country of origin.

International Congress of Women, 1915. Library of the London School of Economics and Political Science

Rosika Schwimmer, a Jewish-Hungarian activist, was a powerhouse in the peace movement; her unswerving belief in peace and women’s equality were seen by some as abrasive and they found her difficult to work with. Before becoming a peace activist, Schwimmer worked as a governess, and bookkeeper, a correspondence clerk, and finally became president of the Nőtisztviselők Országos Egyesülete (National Association of Women Office Workers), in 1901. After an international mentorship with American suffragist Carrie Chapman Catt, Schwimmer returned to Hungary, founding the Hungarian Feministák Egyesülete (Feminist Association). Their goals included equality for women in education, employment, and healthcare. Schwimmer was a driving force in the efforts to stop World War I. She convinced Henry Ford to mount a peace mission in 1915, and attended meetings to the Women’s Peace Party and the International Congress of Women in 1915. Schwimmer fought against anti-Semitism and sexism during the early twentieth century to secure better living conditions for Hungarian women and beyond.

With so much history right here in the United States, it’s easy to push international affairs out of our minds, preferring to learn about our own country’s struggles. But, as Jane Addams and her contemporaries have shown, the fight for equality for women encompasses is an international fight and women need to keep working until equality has been secured for all. As Addams wrote: “The good we secure for ourselves is precarious and uncertain until it is secured for all of us and incorporated into our common life.” This International Women’s Day, we remember the women working abroad for the equality of women worldwide.

Further Reading:

International Women’s Day 2020 #EachforEqual

Women in Medicine: An Encyclopedia, Laura Lynn Windsor

Women at the Hague: The International Congress of Women and its Results; Jane Addams, Emily Greene Balch, Alice Hamilton

Rosika Schwimmer, SNAC

 

Standing on the Shoulders of Giants

When the Jane Addams Papers started work in 2015 at Ramapo College, in many ways it felt like a brand-new project. We were focused on the digital edition, developing metadata rules, learning how to read Addams’s charming handwriting, and immersing ourselves in turn of the century Chicago and the work of Hull-House.  But we were not a new project. We built our edition standing on the shoulders of the original Jane Addams Papers Project, founded by Mary Lynn Bryan in 1975.

Working with a team of dedicated editors, Mary Lynn produced an amazing microfilm that became the basis for our digital edition. We scanned that microfilm in 2015 and started working with the images, beginning in 1901, on our digital edition. The  microfilm edition represented decades of work; they  conducted an international search for Addams documents in archives,  private collections and published sources, organized the documents and indexed them. At the start of our project, they had published two volumes of the Selected Papers of Jane Addams (since then Volume 3 has been published).

The microfilm headers that her team created gave our undergraduates a real head start when working with the texts. A letter to “Alice” was in fact a letter to Addams’ sister “Sarah Alice Addams Haldeman,” carbon copies of letters that had no signatures were identified clearly in the targets. They also identified the place where the letter was written from and sometimes the correct date.

We left the microfilm headers on the scans showing the work of the founding project.

And even more, we had the index to the microfilm. Unlike most other editing projects, the Jane Addams Papers Microfilm Index identified not just the authors and recipients of letters, but most time, the people mentioned in those letters, and in some cases the subjects. So, if “Edith” was mentioned in a letter and the students (or editors!) did not know who Addams was talking about, we could consult the microfilm index, and with a little adjustment, convert a microfilm reel and frame citation to our digital image files. This really helped in the early days of the project, when most of the correspondents and associates were not in our system.

This January, Assistant Editor Victoria Sciancalepore took a road trip to North Carolina to get some of the archives of the original Jane Addams Papers Project. We brought the precious boxes, filled with index cards, copies of the documents and targets that were used to create the microfilm, and archival search records. It was exciting to unpack them and fill our file cabinets (and then some!) with these records, which we immediately put to use.

While most of the scans from the microfilm are good quality, there are some that are difficult to read. In the past we identified documents with poor images with an “Onsite” tag. Slowly but surely we contacted or traveled to the archives to get a new image. Some were penciled originals or light blue carbon copies that had been copied, then microfilmed, and then scanned. To our delight, we were able to substitute the copy in the Addams Project files for a number of light scans, which will save us time and money.

Even more valuable, and appreciated by student transcribers, many of the files also included handwritten transcriptions for some of the more difficult to read handwritten documents. While the first three volumes of the Selected Papers only carry the story to 1900, these transcriptions are throughout the collection. It has helped clear up a lot of [illegible]s from our early transcriptions.

Our debt to the editors that went before us, finding, organizing, transcribing and editing these documents cannot be overstated, and we want to thank each and every one of them!

 

Women’s Hoops at Hull-House

Image 1: Hull-House Women’s Basketball Team

Women played basketball at Hull-House. Well…they played basket ball, two words. In bloomers, wearing long sleeves and lace collars, and with hair coiffed into neat buns. Early on, female players of this thrilling new game also competed under the regulation of girls’ rules, which restricted their movement across the court. There were many people in those days who deemed the game unwomanly and fretted about women overexerting themselves. However, women’s basketball at Hull-House quickly got real. What would become one of America’s favorite sports made an early start in Chicago on Hull-House hardwood, and women were on the court from the start. Who knew Jane Addams, in the closing decade of the nineteenth century, helped birth the first generation of female athletes in the city?!

James Naismith invented and promoted the game of basketball in 1891, and two years later women at Smith College were playing it with modified rules to “avoid physical roughness” and to maintain at least the appearance of femininity. When Hull-House resident Rose Gyles became director of the Hull-House gymnasium in 1895, she brought the game to the men, women, and children of Chicago’s Nineteenth Ward. Under her guidance, Hull-House fielded one of the first girls basketball teams in Chicago. At Hull-House, the women’s players shared the facilities right along with the three Hull-House men’s teams. By the late 1890s, Hull-House had two competitive women’s teams, a growing group of interested girls playing the sport for recreation at the settlement, and a winning record in Chicago’s burgeoning basketball league. A generation of “new” women were growing up at Hull-House, and competitive sport played a role in their changing relationships with the world around them. For many Hull-House girls, like reformer Florence Kelley’s daughter Margaret (who was partly raised at the settlement), basketball was a part of their coming-out party.

Image 2: Female Physical Education at Hull-House

Women of the upper classes long had access to organized sports, like tennis, croquet, and archery. However, in the context of a growing belief in the benefits of fresh air, physical fitness, and physical education programs, interest in sports for the masses increased, and basketball became a popular activity. Public and private schools fielded recreational and competitive teams, churches and private organizations like the YMCA offered athletic facilities, city parks built playgrounds and athletic fields, and even settlement houses jumped on the sports bandwagon. Hull-House maintained a gymnasium from the start and continually worked to improve it over the years, offering girls, boys, men, and women in the neighborhood a variety of athletic programs.

Hull-House was famous for its social settlement and reform work, but in Chicago it was also famous for basketball. And at Hull-House, the basketball program, like most all of its other programs, did not discriminate against girls and young women. Hull-House celebrated female athletics. Women’s basketball games at Hull-House were announced in the Chicago papers, encouraging attendance, and scores were published the next day.

Image 3: Hull-House Women’s Basketball Team

In 1906, Jane Addams’s Hull-House girls beat Graham Taylor’s Chicago Commons girls 26-3 in the Hull-House Gymnasium. Over the years, Hull-House sort of owned Chicago Commons where women’s basketball was concerned, and I wonder if Addams ever teased her good friend and fellow settlement worker across town about Hull-House domination. Hull-House teams did not only compete against other settlement houses, however. They also played Chicago high schools, church teams, and other organizational teams, as well.

Jane Addams was herself a proponent of exercise and recreational activities for women. In a speech in 1908, she praised Chicago for establishing and maintaining “fifteen parks with playing fields, gymnasiums and baths, which at present enroll 18,000 young women and girls.” Addams was very supportive of the developing basketball program at Hull-House, although she did question the wisdom of the sports’ less-than-adequate venue. In 1902, when sixteen-year-old Margaret Kelley was injured during a game, Addams wrote her mother: “She hurt her head playing basket ball you know—and I am in doubt as to whether she ought to play in a gym full of posts!”

Image 4: Hull-House Gymnasium, c. 1900.

Jane Addams was, of course, merely joking, and basketball carried on at the settlement. Regardless that male and female athletes might get hurt, the Hull-House gymnasium remained a popular gathering place for basketball players and for spectators, alike. In the first decade of the twentieth century, basketball was a quickly growing sport. It was popular with men and children, but it was also becoming a favorite activity of college coeds. The captain of the University of Chicago women’s team said of the sport in 1896: “It calls into play every muscle in the body, and besides the real benefit we get out of the exercise it is quite the nicest game we play.” Another aficionado of the sport noted that it tended to quiet the nerves of restless young women.

Others believed women should avoid sports like basketball. Some medical professionals argued that the sport was too athletic for women and, according to one University of Chicago physician, the exertion the sport required of women led to “enlarged, irritable, and overactive hearts.” His assertion is, of course, ludicrous from the viewpoint of our modern medical perspective, but it was alarming to many people in the early 1900s. In 1907, the Illinois State High School Athletic Association barred girls from playing basketball, arguing:

“The game is altogether too masculine and has met with much opposition on the part of parents. The committee finds that roughness is not foreign to the game, and that the exercise in public is immodest and not altogether ladylike.”

Fortunately for the female basketball players in Chicago, the ruling did not affect them, as Chicago schools were not members of the state association. Thus, women’s basketball continued on in the city, and women played it with increasing gusto. Early women’s basketball in Chicago had followed Smith College rules, which positioned seven players in designated areas of the court to limit physical exertion. However, in 1903, the Chicago girls basketball league adopted boy’s rules instead, and thereafter five players for each team took the court for each girls basketball game, and the physicality of the play increased. In 1909, the Chicago Tribune reported on a particularly athletic came between the Evanston Girls Athletic Club and the Evanston YMCA team:

“Frizzles, pompadours, marcel waves, psyche knots, corkscrew curls, and Aunt Mary’s wavelets were all mauled in a strenuous context last night…Bangs, rats, and other feminine fixings became segregated from their original compositions and several times it was necessary to stop the carnage to make repairs. The athletic girls won, 9 to 8, but this was merely one of the hair raising incidents.”

In spite of the possible physical dangers of athletics and in the face of public, medical, and media scorn for women who engaged in sports, more and more girls and young women wanted to play games and to be physically active. There may have been a decline in public enthusiasm for the sport as an acceptable pursuit for women, but basketball was still popular with young women, particularly on college campuses. College women were not only playing the sport for healthy recreation, either. They were also gaining a competitive spirit and making demands for proper equipment and equity with men’s teams. In 1902, for example, Northwestern University women basketball players demanded the college provide them with uniforms and allow them to travel outside of Evanston, IL, for games. The woman ultimately won their fight to travel, and the team played in their first away game in Pontiac, IL, the following year.

By 1916, 900 young people were enrolled in programs in the Hull-House gymnasium, many of them girls and women, and many of them playing on sixteen organized basketball teams. Title IX—sweeping federal legislation that sought to equalize women’s access to educational opportunities of all sorts, including sports—was still decades away. In the first half of the twentieth century, there remained, as well, widespread concern that organized sports defeminized women. Society also placed a stigma upon women who dared to step outside of gendered norms which sought to constrain them. However, women and girls played on, at Hull-House, in Chicago, and  across the country.

Women who had the opportunity to engage in physical activities like basketball in the Hull-House gymnasium took those experiences out into the world with them. Playing the sport gave them confidence in their bodies and developed in their spirits courage and grit and gumption. Emma Karstens, a Hull-House basketball player and coach went on to direct other athletic programs in the city, inspiring girls and young women to be physically active and to play sports. In 1920, she was involved with a city-wide sports fest, which encouraged girls and boys to take part in athletics. In less direct ways, girls who played basketball and other games at Hull-House were also shaped by those experiences. The settlement’s early encourage of girls to engage in sports and other activities previously thought to be the domain of men inspired thousands of women and girls to be more, do more, and raise daughters differently than they themselves were raised. Hull-House was on a grand scale a locus of serious social, economic, and political reforms; but Hull-House was also a place where girls could stretch the boundaries of their own imaginations.

Image 5: Hull-House Basketball Team (1907)
Image 6: Hull-House Basketball Team (1909)

Hoops at Hull-House could arguably be credited with establishing the popularity of basketball in the city of Chicago. We might also accurately call Jane Addams one of the mothers of the first generation of female athletes. But one thing is certain. Hull-House offered girls and women opportunities about which they may have never dared to dream. On the hardwood or elsewhere on the settlement campus, girls and women mattered. Girls and women were considered capable. And, most importantly perhaps, Hull-House set the bar high for girls and women and expected them not only clear the bar, but to set it even higher for themselves.

By Stacy Pratt McDermott, Associate Editor

Sad Epilogue: Margaret Kelley was definitely a young woman who grew through her experiences at Hull-House. She was a courageous and energetic young woman when she arrived at Smith College in 1905, determined to take advantage of college athletics even though she had been “cautioned against violent exercise.” Unfortunately, Margaret’s ailing heart failed her, and she suffered a fatal heart attack that year.

Notes: Mary Lynn McCree Bryan and Allen F. Davis, eds., 100 Years at Hull-House (Bloomington: Indiana University Press, 1990), 73-74 (Image 3); Peggy Glowacki and Julia Hendry, Hull House (Chicago: Arcadia, 2004), 26 (Image 2);  Shannon Jackson, Lines of Activity: Performance, Historiography, Hull-House Domesticity (Ann Arbor: University of Michigan Press, 2004), 306; “The New Athletic Girl and Interscholastic Sports,” in Robert Purter, The Rise of American High School Sports and the Search for Control (Syracuse: Syracuse University Press, 2013), 145-53; “Before the Sports Bra: A Short History of Women’s Sports through the 1970s,” in Game, Set, Match: Billie Jean King and the Revolution in Women’s Sports (Chapel Hill: University of North Carolina Press, 2011), 119-22; Joan S. Hult, “Introduction to Part I,” 6-7; Betty Spears, “Senda Berenson Abbott: New Woman, New Sport,” 24-25; “Clara Gregory Baer: Catalyst for Women’s Basketball,” 45; Lynne Fauley Emery and Margaret Toohey-Costa, “Hoops and Skirts: Women’s Basketball on the West Coast, 1892-1930,” 50, all in Joan S. Hult and Marianna Trekell, eds. A Century of Women’s Basketball: From Frailty to Final Four (Reston, VA: American Alliance for Health, Physical Education, Recreation and Dance, 1991); Kathryn Kish Sklar and Beverly Wilson Palmer, eds., The Selected Letters of Florence Kelley, 1869-1931 (Urbana; University of Illinois Press, 2009), 134n1; Emma Karstens in 1910 U.S. Federal Census; Hull-House Basketball Players, 1907 and Hull-House Basketball Players, 1909, photographs, Chicago History Museum, Explore Chicago  Collections (Images 5 & 6); “Many Athletic Coeds,” Chicago Tribune, Mar. 30, 1896, p. 8; “Talks of New Woman,” The Inter Ocean (Chicago), Dec. 29, 1900, p. 12; “’Coed’ Team Wants Uniforms,” Chicago Tribune, Apr. 11, 1902, p. 13; “Girls Adopt Boys’ Rules,” Chicago Tribune, Jan. 11, 1903, p. 10; “Girls to Play Basketball,” Chicago Tribune, Apr. 10, 1903, p. 6; “Athletics at Northwestern,” The Inter-Ocean, Apr. 15, 1903, p. 4; “Drops Dead in Gymnasium,” The Bedford (IN) Daily Mail, Oct. 23, 1905, p. 2; “Hull House Girls Win,” Chicago Tribune, Mar. 4, 1906, p. 11; “Hull House Girls, 25; Gads Hill, 13,” Chicago Tribune, Mar. 10, 1906, p. 10; “Armour Mission Girls Win,” Chicago Tribune, Mar. 18, 1907, p. 12; “Bars Girls from Basketball,” Chicago Tribune, Nov. 3, 1907, p. 25; “Great Wreckage of ‘Fixings,’” Chicago Tribune, Mar. 28, 1909, p. 31; “Women’s Gymnasium,” Suburban Economist (Chicago), May 2, 1919, p. 3; “Chicago Pauses for Day’s Romp with 5,000 Kids,” Chicago Tribune, Oct. 10, 1920, p. 11; Selected Papers of Jane Addams,(Urbana; University of Illinois Press, 2019),  3:xxxii (Image 4), 345n6, 346 (Image 1); Hull-House Bulletin 1 (No. 4, April 1896), 5, Jane Addams Papers Microfilm, reel 53:897; Jane Addams to Florence Kelley, December 29, 1902; Hull-House Year Book 1906-1907; Address to the Playground Association, March 31, 1908; Hull-House Year Book, January 1, 1916, all in Jane Addams Digital Edition.

From Lincoln Rubber Ducky to Addams Signed Note

For the twenty years I edited Abraham Lincoln’s papers, I never had a strong desire to own a Lincoln document. Well, let’s be honest, I never made enough money to buy a Lincoln document. Even a clipped Lincoln signature will set you back a few grand. Instead, my Lincoln collection included a bookcase full of Lincoln mass-market biographies and edited volumes, a nice bust, one significant historic print, a few mugs, salt and pepper shakers, and a weird-but-adorable Lincoln rubber ducky.

My Lincoln collecting was not at all sophisticated, based as it was on a scholarly editor’s pocketbook, but it was great fun and it still gives me much joy.  Looking back on my collection now, I understand  the value of my kitschy Lincoln stuff for the giggle it inspired in me as I conducted my serious scholarly work and for the little breather it provided from the rarified air of academic history. History should be fun, darn it, and part of the reason I think so many Americans find history boring is because they had teachers who squeezed no fun out of history at all.

I am a historian who squeezes a great deal of fun from the work I am lucky to do. I am also a historian who embraces my historical subjects with a big hug, leaning in and opening my heart as well as my head to my work. I am passionate about finding the humanity of the historical figures I study. I think at least in part, the fun I had collecting Lincolniana humanized Lincoln for me and humanized the scholar in me, too. It allowed me to see Lincoln as a man (and a bobblehead), not as a god or a myth, and to allow my work to delight me. My editing work made an important contribution to Lincoln scholarship, but allowing humor and humanity into the work provided me with balance. My joyful approach to Lincoln rooted my feet to the ground, where history actually lives, and kept my head out of the ivory tower, where history is sometimes self-important and inaccessible.

When I started working for the Jane Addams Papers Project in January 2017, I naturally approached Jane Addams in the same way I had approached Lincoln. Joy and a sense of fun balanced my very serious effort to get to know the woman and the social reformer Addams was, to understand her era, and to learn all I could about the fascinating historical contexts of her life. In the beginning of my work with the project, I immersed myself in biographies about Addams, and I studied her surviving correspondence, the speeches she delivered, and the articles and books she published. However, I also immediately coveted the Jane Addams doll that was sitting on a shelf in the project’s offices in New Jersey. All work and no fun is just not my style.

It took a few weeks, but I found said doll on eBay for $10, and Jane the Doll has been sitting next to or on my desk ever since. In her smart gray frock and sensible black hat she stands, with a slight muppet-like smile, holding her memoir Twenty Years at Hull-House under her arm and wearing her Nobel Peace Prize medal around her neck. To me, Jane the Doll is a muse, of sorts, juxtaposed as it is to the ever more solemn nature of the life-changing reform work in which the real Jane Addams was engaged. I also like that the doll is the silly to Jane Addams’s serious. It is, as well, a daily physical reminder that while my work may be a scholarly business, it is also an honor and a pleasure. I actually get paid to do work I love, so why not embrace the passion and the fun within it.

As I did with Lincoln for twenty years, I now do with Jane Addams. I balance the serious with the silly. I admit it is sometimes harder to find the funny bone in Miss Addams than it was to find it in Mr. Lincoln, but that is no bar to my finding levity in the painstaking and labor-intensive scholarly editing work I do. Collecting my subjects is my way of bringing fun into my life as a historian, so it was exciting for me to learn it will be well within my financial reach to collect first editions of each of Jane Addams’s published books (five already down six to go!). Although memorabilia of Addams is far more rare than it is for Lincoln, in my growing collection of Addams kitsch, I have already added a peace poster for the wall, buttons with “I Love Jane Addams” and “I love Peace,” a coffee mug, and a “Peace, Love, and Jane Addams” t-shirt. Only recently, however, did I realize that a Jane Addams document could be available to me for purchase.

A few weeks ago, I traveled to Springfield, Illinois, for a Lincoln event and to meet up with a group of people who have come into my life through our shared interest in Abraham Lincoln. One of those people who joined me in the sunny beer garden across from the Lincoln Home that afternoon brought me a surprise from the rare bookshop where he works: a printed calling card signed by Jane Addams! It is not a historically important note or a romantic letter to Jane’s beloved Mary Rozet Smith. It is not large, measuring just a 3½ by 2¼ inches. It is not in perfect condition, either. In fact, it has some damage on the printed side from glue which held it in position in an album or adhered it to matting within a frame, and one blob of gluey residue obscures the printed script of “Hull-House.” However, the handwritten side is pristine and features legible-for-Jane-Addams scrawl and her characteristic loopy signature. It is a humble document, indeed, but its imperfections do not lessen my enchantment with it.

Holding that little note in my hands for the first time tendered a tangible spark through my fingers and up to my heart, sending me back in time 100 years. To noisy, dirty, Progressive-Era Chicago. To Hull-House in the city’s impoverished and overcrowded 19th Ward. To Jane Addams, “the world’s best-known and best-loved woman” of her time, standing in the doorway. Handling a historic document has always been for me a kind of handshake with the historical figure of the past who wrote it. Over the years of searching for Lincoln documents in repositories across the country, I shook hands with Lincoln a great many times. But because I work with digital copies of documents at the Addams Papers, this was the first time I had the pleasure of this special and particular introduction to Addams. My day trip to Springfield got even better when I carried that little scrap of Jane Addams handwriting home for fifty times less than it would have cost me had Abraham Lincoln been the one who had penned it.

It annoys me to know that the manuscript market is as sexist as the world. To deem as practically worthless a handwritten note with a fine signature, written by a woman who was the most significant reformer of the Progressive Era, is, I think, almost a crime. But the market’s misjudgment and loss is my gain, allowing me to own a piece of historical magic. My little Jane Addams note is priceless to me. It is the star of my collection of Addamsiana, and  I plan to have it conserved and encased in a two-sided archival frame. I do not have aspirations to collect additional documents in the hand of Jane Addams. This one will be enough for me (at least for now, I think).  It conjures the handshake, inspires my joy, and provides a palpable human connection to a woman I get to hang out with five days a week.

Anyway, from the perspective of historical memorabilia, in going from a $1 Lincoln rubber ducky to a signed Addams note worth about 100 bucks, I’ve come a long way, baby. Maybe not the equivalent of Jane Addams getting the right to vote, but still super cool for this historian, who is having way too much fun.

By Stacy Pratt McDermott, Associate Editor

Striving for Social Justice: Jane Addams and Sophonisba Breckinridge

By Anya Jabour, Regents Professor of History, University of Montana

The subject of my new book, Sophonisba Breckinridge: Championing Women’s Activism in Modern America, worked closely with Jane Addams for decades. The two women, along with other reformers affiliated with Hull House, championed labor legislation, provided services to immigrants, promoted woman suffrage, and advocated for world peace. Together, they were a powerful force for social justice.

Born and raised in Kentucky, Breckinridge came to Chicago to pursue higher education at the coeducational University of Chicago. After earning her M.A. (1897) and Ph.D. (1901) in political science, she graduated with her J.D. (1904) at the top of the Law School’s first graduating class.  After completing her coursework, Breckinridge taught a pioneering course on “The Legal and Economic Position of Women” that brought her into contact with the Second City’s labor organizers and social reformers.

Breckinridge’s concern about the plight of working women initiated her long association with Hull House and its head resident, Jane Addams. In 1905, at Addams’s suggestion, she accepted an appointment as Inspector of Yards, investigating the working conditions of women in Chicago’s infamous stockyard district. Breckinridge spent more than four months inspecting the facilities and interviewing the employees of “Packingtown,” mostly immigrant girls and young women between the ages of 16 and 22.  Working in cold, windowless rooms and standing on “dirty, blood-soaked, rotting wooden floors” for ten hours a day, the workers “toil[ed] without relief in a humid atmosphere heavy with the odors of rotten wood, decayed meats, stinking offal,” and human waste from the doorless privies that vented directly into the workrooms.  Breckinridge found her task exhausting, both physically and emotionally.  To Addams, she confessed, “I was getting where I could not sleep—the vision of the day’s work presses in so!  Not my own day’s work—but that of the crews of girls I see marching past me now.”

Breckinridge translated her emotional response to women workers’ abysmal working conditions into social scientific scholarship and policy recommendations. In addition to publishing her study on women workers in the stockyards, she reported her findings to the U.S. Labor Department. With the support of settlement house workers, clubwomen, and trade unionists, she helped persuade the department to provide funding for a full-scale investigation. Ultimately, the nineteen-volume report on the working conditions of wage-earning women and children, published between 1910 and 1913, provided the basis for the establishment of two new federal bureaus, the U.S. Children’s Bureau and the U.S. Women’s Bureau.  These government agencies would advocate for a ban on child labor and better working conditions for women for decades to come.

Breckinridge (right) with Julia Clifford Lathrop (left) University of Chicago Photographic Archive, [apf1-02244], Special Collections Research Center, University of Chicago Library.
Breckinridge’s work with Addams on behalf of working women soon led to an invitation to live and work at Hull House. As Russell Ballard, one of the few male residents of Hull House, expressed it, “a brilliant company of women were drawn to the settlement to pioneer in the promotion of social change. The scholarly and talented Sophonisba Breckinridge joined the company in 1907 to become one of Miss Addams’ closest friends and most helpful associates.” Although her responsibilities at the University of Chicago prevented her from living at Hull House full-time, Breckinridge spent all of her vacation quarters—and much of her limited free time—at Hull-House, where she was listed as an official “resident” from 1907 until 1921.

Breckinridge became one of Addams’s closest colleagues. She helped to raise funds for the settlement, served as a substitute speaker when Addams was unavailable, and assisted Addams with her correspondence.  Breckinridge’s papers are filled with hastily scrawled notes from Addams, invariably beginning with the exclamatory greeting “Dear Lady!” and closing, “Hastily yours, Jane Addams.” In response to such letters, Breckinridge assisted Addams in innumerable ways, both large and small, leading Addams to close one typical letter asking Breckinridge to perform a task, “I do hope that I am not putting too many things ‘off’ on you.” Breckinridge always came through for Addams, signing one letter, “Yours to command always.”

Soon after Breckinridge took up residence at Hull House, she joined a special committee investigating the conditions confronting young single immigrant women who arrived in the city, lost and alone and vulnerable to both sexual and economic exploitation.  A typical case was that of Bozena, “a nice young Bohemian immigrant girl” who was “so eager for work . . . that she had taken the first job she could find—in a saloon.”  As fellow Hull House resident Edith Abbott, Breckinridge’s colleague at the University of Chicago, explained: “The saloonkeeper had abused her shamefully and then turned her out when he found that she was to become the mother of his illegitimate child.”

Hull House residents helped Bozena file charges, obtain childcare, learn English, gain citizenship, and find work. But Breckinridge and Addams soon realized that the problem of “lost immigrant girls”—as well as the difficulties confronting immigrant men and children—was too widespread for existing service agencies to address.  As Addams explained the problem:

Every year we have heard of girls who did not arrive when their families expected them, and although their parents frantically met one train after another, the ultimate fate of the girls could never be discovered; we have constantly seen the exploitation of the newly arrived immigrant by his shrewd countrymen in league with the unscrupulous American; from time to time we have known children detained in New York and even deported whose parents had no clear understanding of the difficulty.

With Addams’s enthusiastic support, Breckinridge proposed the creation of a new organization, and the Immigrants’ Protective League was established in 1908.  As Abbott recalled: “This problem of the unaccompanied girls proved to be challenging; but nothing that ought to be done seemed impossible to Miss Breckinridge!”

Breckinridge at Green Hall at the University of Chicago. (Courtesy of University of Chicago Photographic Archive, [apf1-02252], Special Collections Research Center, University of Chicago Library.)
The Immigrants’ Protective League provided essential assistance to Chicago’s immigrants—women, men, and children. One of the League’s first major accomplishments was establishing “a kind of immigration station” to welcome new arrivals.  Immigrants who arrived in Chicago by train met with League agents—chosen to represent the nationalities and speak the languages of their clients— who helped orient newcomers to the city.  Agents provided new arrivals with information about employment opportunities, social services, and evening classes. One of the principal goals of the League was to protect immigrants from exploitation.  At the welcome station, agents helped new arrivals steer clear of unscrupulous cab drivers, fraudulent employment agents, and the ever-present “cadets” who recruited young women into prostitution.  Breckinridge also persuaded local women’s clubs to provide funds for the League to provide temporary lodging for young immigrant women.  In only four years, the League served close to 80,000 immigrants at its welcome station.

Breckinridge and Addams continued to team up to advance social reform. In 1911, they were elected vice-presidents of the National American Woman Suffrage Association (NAWSA). Under their leadership, the Second City quickly became a “stronghold for the cause.” However, internal dissension caused both women to dread meetings of the national board, which Addams compared to being immersed in “boiling oil.”

Tensions came to a head in Fall 1912, when Breckinridge and Addams, in defiance of the suffrage organization’s traditional commitment to non-partisanship, declared their support for Progressive Party presidential candidate Theodore Roosevelt. Addams, Breckinridge, and other activists not only convinced the third-party candidate to support woman suffrage, but also helped to shape the Progressive Party’s agenda. The third-party platform, known as the “Contract with the People,” was modeled on the “Platform of Industrial Minimums” adopted at the 1912 National Conference of Charities and Corrections, where both Breckinridge and Addams played prominent roles. The platform included demands for a “living wage,” unemployment insurance, and workers’ compensation for all workers, as well as special protections for women and children in the workforce.

However, Breckinridge and Addams failed to convince NAWSA leadership that the suffrage movement should use party politics to promote either women’s rights or social welfare. Instead, president Anna Howard Shaw publicly denounced “party ties.” This uncomfortable situation led both Addams and Breckinridge to resign their posts after only a year in office.

Although they remained active in the suffrage movement, after leaving office, Breckinridge and Adams shifted their focus away from NAWSA and toward the Woman’s Peace Party, which they co-founded in 1915 in response to armed conflict in Europe—what would later become known as World War I. The Woman’s Peace Party was the first U.S. pacifist group to treat “peace as a women’s issue.” Many members believed that women had a special responsibility to protect life and thus to prevent war. The party preamble and platform called on women, as “the mother half of humanity,” to oppose the “reckless destruction” of human life resulting from warfare.  At the same time that they emphasized women’s special responsibility for peace work, feminist pacifists also demanded equal political rights for women.  Believing that women’s full participation in the political process was essential to ending global conflict, members of the Woman’s Peace Party worked for both women’s rights and world peace.

As chairperson and treasurer of the Woman’s Peace Party, respectively, Addams and Breckinridge represented the new organization at an international feminist-pacifist gathering known as the International Congress of Women and held at The Hague in 1915. The Congress enthusiastically adopted many of the measures proposed by the U.S. representatives, calling for the creation of an international peacekeeping body, national self-determination for all countries, and equal political participation for women. Following the Congress, two delegations visited political and religious leaders of both neutral and belligerent nations.  When Addams, who participated in the visits, returned home, she did so as the first president of the new International Committee of Women for Permanent Peace.

Addams, Breckinridge, and other members of the Woman’s Peace Party took the lead in attempts to find a peaceful solution to the ongoing war.  After Addams returned to the United States, she and Breckinridge worked with both male and female pacifists in Chicago and New York to pressure President Woodrow Wilson to intervene in the European conflict as a neutral intermediary. Addams hand-picked Breckinridge for a special committee assigned to consult with other pacifists within and beyond the U.S. on strategies to “make propositions to the belligerenets [sic] in the spirit of constructive internationalism.”

Throughout the war, Addams, Breckinridge, and other members of the Woman’s Peace Party pressured President Wilson to intervene in the war to produce a “negotiated peace.” Wilson had made initial overtures in this direction at the war’s outset, but his offer was rebuffed. Thereafter, Wilson adopted a pose of watchful waiting.  Although he steadfastly maintained his intention to offer mediation when the time seemed propitious, that time never arrived. However, Wilson’s willingness to meet with pacifist delegations, his cordial relationship with Addams, and his assurances that he considered the women’s proposals at The Hague “by far the best formulation” for world peace, encouraged the pacifist women to continue their efforts.

 

Addams and Breckinridge co-founded the Woman’s Peace Party, later to become the U.S. chapter of the Women’s International League for Peace and Freedom, in 1915. (Courtesy Women’s International League for Peace and Freedom Collection, Special Collections, University of Illinois at Chicago Library)

Addams and Breckinridge continued their search for ways to prevent U.S. entry into the conflict, to end the war, and to prevent future wars. In the aftermath of the Lusitania episode, they urged President Wilson to steer clear of what they called “a preposterous ‘preparedness’ against hypothetical dangers” and instead to provide “the epochal service which this world crisis offers for the establishment of permanent peace”—that is, to offer his services to mediate the ongoing conflict. Subsequently, they appeared before the U.S. House of Representatives’ Committee of Foreign Affairs to express their support for a House Joint Resolution proposal to establish a “Commission for Enduring Peace.”

The U.S. delegation to the International Congress of Women in 1915 on board the Noordam. Jane Addams in center behind the banner, Breckinridge is on the far right. (Courtesy Swarthmore College Peace Collection)

Despite their best efforts, American pacifists were unable either to halt the ongoing war or to prevent the United States’ entry into it.  Once hostilities ceased, Breckinridge and Addams—now part of the Women’s International League for Peace and Freedom—sought new routes to “enduring peace.” They achieved a partial victory in the establishment of the League of Nations, which incorporated many of the principles adopted at the International Congress of Women. Although the U.S. failed to join the new organization, Addams and Breckinridge persisted in promoting their vision of a peaceful postwar world.  In 1923, they discussed submitting “our” set of principles for the American Peace Award.  The plan that Breckinridge and Addams proposed called for the United States to join the World Court and the League of Nations. They also demanded that the U.S. military refrain from defending the interests of private businesses abroad, that the U.S. end both the production and the sale of armaments, and that the U.S. cooperate with other nations in a process of universal disarmament.  Finally, they recommended “cancelling or reducing debts due to the United States” from the other Allied countries in return for an agreement to “divide the costs of commissions hitherto charged against Germany alone equally between Germany and the former allies” and offering “a long moratorium to Germany” to allow that nation “eventually to pay the balance on her reparations debt as estimated by an impartial commission of experts to be constituted for the purpose.” Addams’s and Breckinridge’s joint plan thus called for the United States to promote peace not only by agreeing to abide by arbitration in future disputes and participating in a process of universal disarmament, but also by removing the reasons for rising resentment in Germany that would soon allow Adolf Hitler to rise to power. Sadly, their plan was never implemented. Nonetheless, in the years after the Second World War, many of their ideas would be adopted by the United Nations.

Addams and Breckinridge were not always fully successful in their efforts to promote social justice, but they shared a passion for justice that allowed them to persist in the face of difficulties and setbacks. Their collaboration with one another and with fellow reformers also enabled them to meet challenges with strong resolve and good cheer. Together, Addams and Breckinridge were a powerful force for social justice.

Coda: Because Breckinridge’s own papers, while extensive, are comparatively scant for the Progressive Era, to conduct my research on these decades of her life, I relied heavily on the 82-reel microfilmed edition of the Jane Addams Papers and the accompanying “Pink Bible,” the 674-page guide to the microfilm collection, created with the guidance of Jane Addams Papers Project founder Mary Lynn Bryan. I am delighted that future researchers’ work will be facilitated by the next generation of the Jane Addams Paper Project, spearheaded by Cathy Moran Hajo, which will make the Jane Addams Papers accessible in a digital format.


Anya Jabour is Regents Professor of History at the University of Montana. Her books include Topsy-Turvy: How the Civil War Turned the World Upside Down for Southern Children and Scarlett’s Sisters: Young Women in the Old South

Sources:

Abbott, Edith, and Breckinridge, Sophonisba P. “Women in Industry: The Chicago Stockyards,” Journal of Political Economy, Vol. 19, No. 8 (October 1911), 632-654.

Addams, Jane. “Woman’s Suffrage and the Progressive Party,” Chicago Tribune, October 28, 1912, pg. 9.

Addams, Jane, Balch, Emily G., and Hamilton, Alice. Women at the Hague: The International Congress of Women and Its Results (New York: Macmillan Company, 1915).

Alonso, Harriet Hyman. Peace as a Women’s Issue: A History of the U.S. Movement for World Peace and Women’s Rights (Syracuse, NY: Syracuse University Press, 1993).

Ballard, Russell. “The Years at Hull House,” Social Service Review, Vol. 22, No. 4 (Dec. 1948), 432-433.

Brush, Mary Isabel. “Society Leaders Will Promote Suffrage Cause in Chicago’s Fashionable Circles: National Association to Open Branch,” Chicago Daily Tribune, December 24, 1911, pg. 13.

Bryan, Mary Lynn McCree, et al., eds., The Jane Addams Papers: A Comprehensive Guide (Bloomington: Indiana University Press, 1996)

Buroker, Robert L. “From Voluntary Association to Welfare State: The Illinois Immigrants’ Protective League, 1908-1926,” Journal of American History, Vol. 58, No. 3 (December 1971), 643-660.

“Charity Honors for Chicago,” Chicago Tribune, June 20, 1912, pg. 13.

Commission for Enduring Peace: Hearing Before the Committee on Foreign Affairs, House of Representatives, Sixty-Fourth Congress, First Session, on H.R. 6921 and H.J. Res. 32, Statement of Miss Jane Addams and Others, January 11, 1916 (Washington, D.C.: Government Printing Office, 1916),10-12.

“Conditions in Stockyards Described in the Neill-Reynolds Report,” Chicago Tribune, June 5, 1906, pg. 4

Costin, Lela B. “Feminism, Pacifism, Internationalism, and the 1915 International Congress of Women,” Women’s Studies International Forum, Vol. 5, No. 3-4 (1982), 300-315.

Gonzalez, Suronda. “Complicating Citizenship: Grace Abbott and the Immigrants’ Protective League, 1908-1921,” Michigan Historical Review, Vol. 24, No. 2 (Fall 1998), 56-75.

Hull House Collection, Special Collections, Richard J. Daley Library, University of Illinois at Chicago, Chicago, Illinois.

Jane Addams Papers, 1860-1960 (microfilm edition).

Leonard, Henry B. “The Immigrants’ Protective League of Chicago, 1908-1921,” Journal of the Illinois State Historical Society, Vol. 66, No. 3 (Autumn 1973), 271-284.

“Meet of Suffrage Chiefs: Chicago Women to Attend Executive Committee Session Today: Officers Will Be Chosen: Members Enthusiastic in Praise of the Progressive Party,” Chicago Tribune, October 1, 1912, pg. 5.

Patterson, David S. The Search for a Negotiated Peace: Women’s Activism and Citizen Diplomacy in World War I (New York: Routledge, 2008).

Records of the Immigrants Protective League, Special Collections, Richard J. Daley Library, University of Illinois at Chicago, Chicago, Illinois.

Sophonisba Preston Breckinridge Papers (microfilm), Breckinridge Family Papers, Library of Congress, Washington, D.C.

Sorensen, John, ed., A Sister’s Memories: The Life and Work of Grace Abbott, From the Writings of Her Sister, Edith Abbott (Chicago and London: University of Chicago Press, 2015).

“Urge Home for Immigrants,” Chicago Tribune, March 19, 1911, p. 5.

Wade, Louise C. “The Heritage from Chicago’s Early Settlement Houses,” Journal of the Illinois State Historical Society, Vol. 60, No. 4 (Winter 1967), 411-441.

“Warns Women of Illinois: Dr. Anna H. Shaw Advises Suffragists to Avoid Party Ties,” Chicago Tribune, September 25, 1912, p. 5.

“Will Ask Parties for Living Wage,” Chicago Tribune, June 14, 1912, pg. 7.

“Woman Puts O.K. on Neill Report,” Chicago Tribune, June 11, 1906, pg. 2.